The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues.
The progression uses a series of sequential II-V or secondary II-V progressions, and has been used in pieces such as Parker's "Blues for Alice" and Toots Thielemans's "Bluesette"[1].
The blues progression, in B♭, is as follows:
| Bb | Bb | Bb | Bb | | Eb | Eb | Bb | Bb | | F | Eb | Bb | Bb ||
Chord | Function | Numerical | Roman Numeral |
---|---|---|---|
Tonic | T | 1 | I |
Sub-dominant | S | 4 | IV |
Dominant | D | 5 | V |
The Bird Blues progression, in B♭, is as follows[2]:
| BbMaj7 | Amin7b5 / D7 | Gmin7 / C7 | Fmin7 / Bb7 | | Eb7 | Ebmin7 / Ab7 | Dmin7 / G7 | C#min7 / F#7 | | Cmin7 | F7 | BbMaj7 / G7 | Cmin7 / F7 ||
Bb: Gmin: F(min): Eb: | I | ii / V | ii / V | ii / V | Eb: G: F#(min): F(min): | I7 | subii / subV | subii / subV | subii / subV | Bb: | ii | V | I7 / VI7 | ii / V ||
Note the cycle of ii-V progressions leading to the IV chord (E♭7), and the tritone substitution of the dominant chords leading by half-step to the V chord (F7)[2].
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